159th Online Open Exhibition
527 artworks
Precious metal, 2018 by Sarah Strachan
Precious metal, 2018 by Sarah Strachan
201 / 527
By Sarah Strachan
Photopolymer etching
h: 37 w: 42 d: 2 (cms).
Inspired by the image of an abandoned rusty oil tank, Precious metal represents a forensic-like remnant of our anthropocentric and industrialised culture; human-made metal in the background, natural environment in the foreground. It is argued that this dualistic perception has led to human detachment from nature. The process of photo-polymer etching allows for the photograph’s referential qualities, capturing the image through exposure to the earth’s most important resource - the sun. The composition and monochromatic colour scheme, however, allows for consideration of the image independent from its associations and attributes – transmuting the corroded metal object to a higher form.
£150
£100 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Woman With A Black Eye (Marija Malenica Croation Champion) by wendy elia
Woman With A Black Eye (Marija Malenica Croation Champion) by wendy elia
202 / 527
By wendy elia
Oil On Canvas
h: 120 w: 130 d: 4 (cms).
Woman With A Black Eye- Portrait of Marija Malenica - Croation Boxing and martial arts top Champion
£8750
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Grace Lau by wendy elia
Grace Lau by wendy elia
203 / 527
By wendy elia
Oil On Canvas
h: 170 w: 106 d: 4 (cms).
Portrait of photographer Grace Lau
£7500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Self Portrait In Uplift Bra Etching by wendy elia
Self Portrait In Uplift Bra Etching by wendy elia
204 / 527
By wendy elia
Itaglio Etching
h: 42 w: 34 d: 1 (cms).
Self Portrait In Uplift Bra (after Lucien freud)
for unframed - paper size 40 x 27
Image size 19 x16 cms
mounted and framed framed size 42 x43
£525
£350 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Night Studio by wendy elia
Night Studio by wendy elia
205 / 527
By wendy elia
Itaglio Etching
h: 44 w: 33 d: 1 (cms).
Portrait of artists daughter Madi in the studio at night
for unframed - paper size 40 x 27
Image size 19 x16 cms
mounted and framed framed size 42 x43
£525
£365 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Danse Macabre 2 by Jill Desborough
Danse Macabre 2 by Jill Desborough
206 / 527
By Jill Desborough
Mixed Media
h: 20 w: 80 d: 21 (cms).
This the second piece in a series inspired by the medieval Dance of Death, a sculptural response to the popular wall paintings. It features a motley procession of characters celebrating hunan idiosyncrasy and diversity.
£1950
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Scape 4 by Emma Fitzpatrick
Scape 4 by Emma Fitzpatrick
207 / 527
By Emma Fitzpatrick
Monotype
h: 33 w: 53 d: 2 (cms).
Monotype created using inks, different mark making tools onto an aluminium plate. Work was produced and in response to the Covid 19 lockdown. It reflects on the feeling of change and future uncertainty.
£350
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Elliot by Svetlana Semenova
Elliot by Svetlana Semenova
208 / 527
By Svetlana Semenova
Charcol and white pastel on paper
h: 44 w: 37 (cms).
Portrait
£700
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Suspension by Katharine Le Hardy
Suspension by Katharine Le Hardy
209 / 527
By Katharine Le Hardy
Oil on canvas
h: 180 w: 130 d: 4 (cms).
Continuing on the theme of quiet and forgotten places, during lockdown I was unable to gain access to the places I usually photograph and find my source material. As a result I was naturally drawn to the corners of life that are usually overlooked. These ladders were leaning against a wall in a deserted builders yard.
£6200
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
'If you like what I have done' by Tessa Sulston
'If you like what I have done' by Tessa Sulston
210 / 527
By Tessa Sulston
acrylic with silk screen print
h: 76 w: 76 d: 5 (cms).
This artwork is painted and silk screen printed in layers on canvas. It tells the story of JMW Turner hoping to sell 'Forum Romanum' to Sir John Soane, specifically to go in his newly built museum in Lincoln's Inn Fields. My intention was to make it look as if Turner himself had handwritten on the canvas. I've also included in slightly larger print Turner's elegant signature in red. The title of this work 'If you like what I have done' is a quote taken from one of Turner's letters included in the painting. Seen from a distance individual words cannot be easily deciphered and the overall impression is of superimposed curtains of calligraphic marks on a veiled background, the writing occupying an indeterminate space. Close up the words are clear enough to make out and you can see the handwriting's personality or read it for sense. The letters are a reminder of Turner's voice. In the background is a 1799 map of Turner's London in gold, and the letters between the two men in different colours, including Soane's bank draft for £525 duly paid, in it's original colour of pale purple. Due to a disagreement Turner posted the bank draft back in disgust and the painting like 'The Fighting Temeraire' was never sold. It now hangs in the Clore Gallery at the Tate.
£1500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Negative & Positive of Breathing by Bonnie Brown
Negative & Positive of Breathing by Bonnie Brown
211 / 527
By Bonnie Brown
Charcoal & Pencil on Canvas
h: 52 w: 42 d: 5 (cms).
Living and working on the coast, interested in the fragility of light and water, their effects and qualities of transience and transformation. The work is about the observations of the liminal boundary between land, sea, and air, the static and the moving. Contrasts, dualities, tonal values, and the emotional connection found in the Purbeck landscape.
The drawings are neither figurative nor abstract; they lie between the two states, often caught in the memory, and aim for a more reflective state, towards a stillness.
A work on canvas or paper using a mixture of mediums including ink, graphite and various intensities of charcoal.
£750
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Inverted Interruption by Bonnie Brown
Inverted Interruption by Bonnie Brown
212 / 527
By Bonnie Brown
Ink, Graphite & Charcoal on Paper
h: 45 w: 45 d: 3 (cms).
Living and working on the coast, interested in the fragility of light and water, their effects and qualities of transience and transformation. The work is about the observations of the liminal boundary between land, sea, and air, the static and the moving. Contrasts, dualities, tonal values, and the emotional connection found in the Purbeck landscape.
The drawings are neither figurative nor abstract; they lie between the two states, often caught in the memory, and aim for a more reflective state, towards a stillness.
A work on canvas or paper using a mixture of mediums including ink, graphite and various intensities of charcoal.
£500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
When I Sleep by Amanda Watt
When I Sleep by Amanda Watt
213 / 527
By Amanda Watt
Acrylic on canvas
h: 61 w: 61 d: 2 (cms).
The first in a series of sleep and dream related imagery, ‘When I sleep’ is a tangle of arms and legs. A female drifts away into another world, where her body and mind transform. The dream state combines the conscious and subconscious, freeing her from all earthly shackles to become her authentic self. A nod to Gustav Klimt, Egon Schiele and Austrian symbolism, while the ethos of this piece is almost ethereal, the bold primary colours anchor it in the real world.
£3750
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Big Ears by Ali Lindley
Big Ears by Ali Lindley
214 / 527
By Ali Lindley
watercolour
h: 56 w: 75 (cms).
The mighty buffalo. Their impressive horns can reach a span of upto130cms. The migration of the buffalo is one of natures great spectacles. Long may it endure.
£395
£395 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
About Turn by Ali Lindley
About Turn by Ali Lindley
215 / 527
By Ali Lindley
mixed media
h: 61 w: 40 (cms).
Vulturine guinea fowl.
£325
£325 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Laundry by Atsuko Saito
Laundry by Atsuko Saito
216 / 527
By Atsuko Saito
Watercolours
h: 80 w: 60 (cms).
In this painting, I depict the beauty in the chaos of laundry piling up on my bed before it is folded neatly away.
I am drawn to the way the unworn clothes having fallen into such three dimensional shapes, as if they have a life and purpose of their own. I fantasize over the story of the clothes, of who has worn them, and what they did. Clothing and objects cannot be separated from their owners, they are one. If they could talk, what stories would they tell of their journey? The mystery of objects and their keepers.
£1150
£1000 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Sleepy feet by Barbara Henkes
Sleepy feet by Barbara Henkes
217 / 527
By Barbara Henkes
oil on Arches oil paper
h: 41 w: 31 (cms).
£500
£500 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
I know what you are thinking by Yurim Gough
I know what you are thinking by Yurim Gough
218 / 527
By Yurim Gough
Ceramic
h: 23 w: 28 d: 10 (cms).
In Asian culture bowls are philosophically connected with humanity;
In Korea people speak of the ‘bowl’ of your mind’ holding all your knowledge and experience. I mould the bowls in my hands and draw straight onto them, with no plan, never changing a line. With a life model in front of me, I am led by their energy. Upon creation we see what of human life can fit into a bowl.
£1930
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Do you? Why? by Yurim Gough
Do you? Why? by Yurim Gough
219 / 527
By Yurim Gough
Ceramic
h: 23 w: 23 d: 8 (cms).
In Asian culture bowls are philosophically connected with humanity;
In Korea people speak of the ‘bowl’ of your mind’ holding all your knowledge and experience. I mould the bowls in my hands and draw straight onto them, with no plan, never changing a line. With a life model in front of me, I am led by their energy. Upon creation we see what of human life can fit into a bowl.
£2029
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
The Bridge by Sheila Goodman
The Bridge by Sheila Goodman
220 / 527
By Sheila Goodman
pastel
h: 39 w: 40 (cms).
A small stream with footbridge.
£485
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Putney Bridge by Eileen St Julian-Bown
Putney Bridge by Eileen St Julian-Bown
221 / 527
By Eileen St Julian-Bown
Screenprint
h: 41 w: 28 d: 1 (cms).
We moved to Putney and I enjoyed walks by the river watching the boat people. When lockdown happened all the boat people disappeared with their boats so I wanted to do a series of prints to include many aspects of Putney Bridge and the nearby part of the river.
£350.00
£275.00 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Putney Shoreline by Eileen St Julian-Bown
Putney Shoreline by Eileen St Julian-Bown
222 / 527
By Eileen St Julian-Bown
Screenprint
h: 29 w: 21 d: 1 (cms).
Part of a series of Putney Bridge and the shoreline where there were few people and fewer boats.
£195.00
£160.00 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Lemons by Emily McDonald
Lemons by Emily McDonald
223 / 527
By Emily McDonald
oil on canas
h: 73 w: 63 d: 6 (cms).
The Lemons in the piece were bought from a local farmshop which always sells fruit right in their prime so the colours are always at their most rich and viabrant. As they were painted in my studio, the tones and colour altered and deepened as they slowly started to decompose. I feel this altering composition makes for an interesting narrative as the layers of paint encompose the different stages of the lemons last stages of life.
£1450
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Aubergine by Emily McDonald
Aubergine by Emily McDonald
224 / 527
By Emily McDonald
oil on canas
h: 25 w: 20 d: 6 (cms).
I saw this little black Aubergine glistening in the corner of my local farmshop and bought it back home to observe its skin in the light of my studio. Only then did I really take notice of the many layers of warmth hiding under the slightly matte skin. I polished it up and had a great time exploring the rich deep tones which now danced in the light and hadn't otherwise been obvious to the naked eye. Everytime I came back to the piece, another colour would become clear and I was able to keep layering to achieve something similar to what I now saw.
£950
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Feed by Emily Wolff
Feed by Emily Wolff
225 / 527
By Emily Wolff
Egg tempera on board (framed)
h: 33 w: 27 d: 4 (cms).
I began making this piece during the Australian forest fires, I found myself glued to the tv, streaming live updates via YouTube news feeds... the world feels somewhat smaller these days, it was as if I was watching it all burn.
By the time I’d finished the piece the focus of the news had already shifted over to a new threat ... mass hysteria was ensuing ... the world was ending yet again and we get to watch it all unfold on tv once more.
This is what my latest self portrait portrays... the detached feeling of horror you get when witnessing real world events unfold at a great distance.
Despite painting the piece at a time when I had a rather bleak outlook on it all once I released it into the world someone remarked on how the reflections appeared to be a rainbow ... this was not necessarily my intention but I do like that a scrap of hope was found in this painting of mine.
£2000
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Figure 2 (Unique) by Linda Zelin
Figure 2 (Unique) by Linda Zelin
226 / 527
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Lemon in a Blue Glass Bowl by Marjorie Collins
Lemon in a Blue Glass Bowl by Marjorie Collins
227 / 527
By Marjorie Collins
Watercolour
h: 64 w: 53 d: 2 (cms).
£795
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Cherries in a Tea Caddy by Marjorie Collins
Cherries in a Tea Caddy by Marjorie Collins
228 / 527
By Marjorie Collins
Watercolour
h: 50 w: 58 d: 2 (cms).
£775
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Still Life with Yellow Cup by Marjorie Collins
Still Life with Yellow Cup by Marjorie Collins
229 / 527
By Marjorie Collins
Watercolour
h: 55 w: 46 d: 2 (cms).
£725
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Three of Hearts by Marjorie Collins
Three of Hearts by Marjorie Collins
230 / 527
By Marjorie Collins
Watercolour
h: 42 w: 49 d: 2 (cms).
£650
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Raya from the 'Still Life in Quarantine' series by Zena Assi
Raya from the 'Still Life in Quarantine' series by Zena Assi
231 / 527
By Zena Assi
oil and acrylic on canvas
h: 120 w: 120 d: 4 (cms).
My work draws inspiration from the relations and conflicts between the individual and his spatial environment, society and its surroundings.
I use various supports and mediums to document and explore the cultural and social changes happening around me. As I absorb narratives and imageries from my surroundings and fuse them into my practice, some pieces are highly personal and come from my own stories and experiences.
Lately the world has been put on hold with the Covid19 crisis. Time has been paused, and I found myself looking with fresh eyes at my immediate surroundings, people and objects alike. During lockdown I started wandering into the complexities of interior and exterior life, constancy and change, hence the portraits’ paintings from the ‘Still life in quarantine’ series.
I tried to convey the atmosphere of time being frozen as the people around me were dealing with confinement. It was interesting to see how time itself can be stretched enough to hold a person and freeze it in a ‘still life’ genre painting.
£11000
£10500 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Icy Track by Maureen Davies
Icy Track by Maureen Davies
232 / 527
By Maureen Davies
Pastel Collage and Gouache
h: 75 w: 95 d: 3 (cms).
Mixed media work depicting an icy cold morning in the New Forest
£950
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Huckle's Brook by Maureen Davies
Huckle's Brook by Maureen Davies
233 / 527
By Maureen Davies
Pastel Collage and Gouache
h: 77 w: 93 d: 3 (cms).
Mixed Media work depicting a balmy early autumn day in the New Forest
£995
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Time and Tide ... by Debbie Coles SWAc Assoc.
Time and Tide ... by Debbie Coles SWAc Assoc.
234 / 527
By Debbie Coles SWAc Assoc.
Oils
h: 24 w: 30 d: 1 (cms).
I felt a little sad that the 100 year old Alma bridge spanning the River Sid, which had been irreparably damaged by storms, was about to be replaced by a new one safely sited 40 metres upstream and I wanted to I capture it's last few weeks in situ, albeit hidden! I was struck by the haphazard jumble of fabricated signs, cones, sandbags and scaffolding jostling against the fishermen's boats and the forlorn South West Coast Path sign leading to nowhere. The bridge was finally removed last month and I'm delighted that the new one is an absolute triumph!
£375
£375 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Blues Song by Maria Pierides
Blues Song by Maria Pierides
235 / 527
By Maria Pierides
Oil, collage, oil stick, oil pastel on deep edge canvas
h: 15 w: 15 d: 4 (cms).
In collaboration with haiku poet and mum, Stella Pierides, I have been exploring the relationship between image and word.
Blues Song
the barmaid gently
wipes her tears
I have chosen poems that have resonated with me during lockdown, and incorporated it into the painting. This series also explores the mother and daughter relationship, how what is being communicated, is being heard and the differences between generations.
£200
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Bikes & Busses in London by Sera Knight
Bikes & Busses in London by Sera Knight
236 / 527
By Sera Knight
Mixed Media
h: 75 w: 60 (cms).
Mixed Media - Collage and acrylics on watercolour paper - painting of a London scene.
My aim is to convey the busy city life and the buzz that creates.
It is unframed but mounted. Image size is approximately 36x52cm
£750
£750 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Water Meadow by Maria Pierides
Water Meadow by Maria Pierides
237 / 527
By Maria Pierides
Acrylic, Oil Stick, Oil Pastel, Gold leaf on deep edge canvas
h: 15 w: 15 d: 4 (cms).
In collaboration with poet and mum, Stella Pierides
I have chosen poems that have resonated with me during lockdown, and incorporated it into the painting. This series also explores the mother and daughter relationship, how what is being communicated, is being heard and the differences between generations.
Water meadows
a frog I dont know
answers my croak
This poem painted a vivid picture of my mum walking along the moors where they live. This painting again is about the mother and daughter relationship, ageing and loss and the hint at humour within the sadness.
£200
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Night in London by Sera Knight
Night in London by Sera Knight
238 / 527
By Sera Knight
Mixed Media-collage and acrylics on watercolour paper-painting
h: 75 w: 60 (cms).
A painting of a busy, jolly London night life. My aim was to create the atmosphere as it used to be when there was no Covid!
Image size is approximately 36x52cm
Painting is unframed but will be mounted.
£750
£750 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Sunset From Bishops Park by Kathy Barker
Sunset From Bishops Park by Kathy Barker
239 / 527
By Kathy Barker
oil on canvas board
h: 38 w: 28 d: 2 (cms).
A sunset plein air painting from Bishops Park in London
£475
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Action & Emotion- Flamenco Dancer by Sera Knight
Action & Emotion- Flamenco Dancer by Sera Knight
240 / 527
By Sera Knight
Mixed Media-collage and acrylics on watercolour paper-painting
h: 75 w: 60 (cms).
Painting of a Flamenco Dancer. My aim is to capture the feelings that are created by an emotional dance.
Image size isapproximately 36x54cm
Unframed but mounted.
£750
£750 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Ballroom Elegance by Sera Knight
Ballroom Elegance by Sera Knight
241 / 527
By Sera Knight
Mixed Media-collage and acrylics on watercolour paper-painting
h: 51 w: 41 (cms).
Ballroom Dancers. My aim is to create the feeling of elegance and emotions when painting this painting.
Image size is approximately 26x36cm
Unframed but mounted.
£425
£425 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Seated Nude by Kathy Barker
Seated Nude by Kathy Barker
242 / 527
By Kathy Barker
Pastel on Pastel Paper
h: 66 w: 80 d: 2 (cms).
Framed Pastel Nude inspired by Pashet, a favourite model of mine
£1150
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Chinese Vase with Cherries by Kathy Barker
Chinese Vase with Cherries by Kathy Barker
243 / 527
By Kathy Barker
painting, oil on linen
h: 48 w: 48 d: 2 (cms).
Framed still life painting of my favourite vase and I just loved the colours of the cherries to complement the vase
£1100
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Gold Leaf Portrait by Kathy Barker
Gold Leaf Portrait by Kathy Barker
244 / 527
By Kathy Barker
painting, oil on linen
h: 50 w: 40 d: 2 (cms).
Inspired by a friend who sat for me and I had Gustave Klimpt in the studio with me. Unframed.
£2500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Indigo Skies by Lucy Marks
Indigo Skies by Lucy Marks
245 / 527
By Lucy Marks
Watercolour
h: 35 w: 35 d: 3 (cms).
Inspired by walks along the Sussex Coast and Downs
£400
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Another Day by Angela Herd Hall
Another Day by Angela Herd Hall
246 / 527
By Angela Herd Hall
Oil
h: 53 w: 36 d: 4 (cms).
The work is a reflection of the nature of life during this pandemic. The inevitablity that each day has an air of unreality with no highs or lows, with no unexpected interactions. The same morning routines go on as before but after that all is different
£500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Apples by Diane Urwin
Apples by Diane Urwin
247 / 527
By Diane Urwin
Acrylic
h: 20 w: 20 (cms).
Apples ready to eat. Light, colour and tone play a very important part in my paintings.
This work is unframed.
£300
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
'Broken Chanel' by Anne-Marie Ellis
'Broken Chanel' by Anne-Marie Ellis
248 / 527
By Anne-Marie Ellis
Acrylic
h: 25 w: 20 d: 2 (cms).
Arresting painting of a broken Chanel No.5 classic perfume bottle, the shiny shards of broken glass and the translucent perfume liquid floating out in the oval canvas. Stunning. Signed on side of ready to hang canvas. Acrylic on cotton.
£475
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Roller by Justine Lois Thorpe
Roller by Justine Lois Thorpe
249 / 527
By Justine Lois Thorpe
oil on Canvas
h: 92 w: 122 d: 4 (cms).
Express an emotional connection with the environement using layers of sand grit, and thick oil paint to capture the elements of the seas energy, space and unpredictability.
£2750
£2750 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Falling Sea by Justine Lois Thorpe
Falling Sea by Justine Lois Thorpe
250 / 527
By Justine Lois Thorpe
oil on board
h: 60 w: 60 d: 2 (cms).
Semi Abstract painting reflecting the exciting energy movements and currents of the Sea and wind.
£1450
£1250 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Norfolk Beach I (unframed) by Rachel Parker
Norfolk Beach I (unframed) by Rachel Parker
251 / 527
By Rachel Parker
Oil on canvas
h: 40 w: 50 d: 4 (cms).
£495
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Norfolk Beach II (unframed) by Rachel Parker
Norfolk Beach II (unframed) by Rachel Parker
252 / 527
By Rachel Parker
Oil on canvas
h: 40 w: 50 d: 4 (cms).
£495
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Back to School (unframed) by Rachel Parker
Back to School (unframed) by Rachel Parker
253 / 527
By Rachel Parker
Oil on board
h: 24 w: 30 d: 1 (cms).
£240
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Exam Hall 2021 (unframed) by Rachel Parker
Exam Hall 2021 (unframed) by Rachel Parker
254 / 527
By Rachel Parker
Oil on board
h: 30 w: 30 d: 1 (cms).
£240
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Self Portrait: Small Sips by Emily Gillbanks
Self Portrait: Small Sips by Emily Gillbanks
255 / 527
By Emily Gillbanks
oil paint on stretched canvas
h: 63 w: 63 d: 3 (cms).
In all of my self-portraits, I reflect on how my smartphone has become an extension of both my mind and body, how my iPhone (an eminently portable machine), is not only re-defining what has historically constituted to what it means to have a body, but also how the world found in our pockets is dominating methods of communication and how we see people in our current technologically mediated communities, highlighting a breached boundary between how mine and others’ minds, bodies, and smartphones jointly define a hybrid existence of being in the world.
My infatuation with digitisation and sub-genres of screen culture is embedded into this self-portrait, using the concept of transferring a 'selfie' into paint.
As a woman, I use my self-portraiture to empower msyelf, as I am able to make myself up beyond the types of images on women we expect to see on screens. I have become interested in methods and ways in which women can represent and make themselves up in the age of social media I question how we can navigate horizons of the self and others in the twenty-first century. I hope to use my paintings to research further and provide insight into disrupted kinds of realism, and how self portraits such as 'Small Sips,' are in fact becoming More Than Real, and how the difference between selfie taking and painting traditional Self-Portraits both come to negotiate how quickly we are coming to document ourselves, and see us interact with billions of enigmatic online-faces via our current world-picture.
By taking such a mundane image of the self drinking from a water bottle, which is the type of image I send to friends, I further the use of these Selfies, by taking them off screen and using them as a conceptual system of communication the face-work of each of my self-portraits which come to function like that of emoji and memoji ideograms (usually used in the absence of physical facial expressions in online multi- modal communications.)
£3190
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
More Than Real Series: Overshadowing by Emily Gillbanks
More Than Real Series: Overshadowing by Emily Gillbanks
256 / 527
By Emily Gillbanks
oil paint on stretched canvas
h: 59 w: 49 d: 3 (cms).
My Self-Portrait series, More Than Real (2020), aims to visually reflect how my smartphone has become an extension of both my mind and body. I interrogate how my iPhone, an eminently portable machine, is not only re-defining what has historically constituted to what it means to have a body, but also how the world found in our pockets is dominating methods of communication in our current technologically mediated communities.
The smartphone silhouette in this painting reveals a transparency to how the image was made. The selfie features the cast of a handheld devices with a diagonal axis, sometimes considered a disadvantage in hand-held device image-making. Usually, this kind of silhouetting creates a sense of mystery in photographs, however I believe a loneliness is revealed through the clear way the self has made the image of the subject which is myself. Conceptually, the research behind this painting aims at conveying how an average western woman has been crafted to be self- obsessed through screen-culture as part of our current world-picture, which demands selfies on social media posts, profile pictures, dating apps, review sites and many other platforms that require us to leave impressions of ourselves all over the internet.
Through an infatuation with digitisation, I question how we can navigate horizons of the self in the twenty-first century? I use elements of subtext and fantasy alongside my everyday self to highlight a breached boundary between how my mind, body, and smartphone jointly define a hybrid existence of being in the world.
£2680
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Reflections - Lumsdale Pond, Derbyshire by Carol Hill
Reflections - Lumsdale Pond, Derbyshire by Carol Hill
257 / 527
By Carol Hill
Oil
h: 46 w: 61 d: 2 (cms).
This scene I have walked by many times. It is an area of historic importance and the pond fed water to small mills.
£850
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
The kitchen sink by Denise Doran
The kitchen sink by Denise Doran
258 / 527
By Denise Doran
Oil
h: 37 w: 42 d: 3 (cms).
This was painted during lockdown when we had such fantastic weather and painting was a wonderful escape from the isolation and restrictions. I was struck by the way the light from the window fell over all the clutter around the kitchen sink and I wanted to capture that.
£400
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
The pink gastrobus, Bantham Beach by Denise Doran
The pink gastrobus, Bantham Beach by Denise Doran
259 / 527
By Denise Doran
Oil
h: 37 w: 42 d: 3 (cms).
Last summer we walked over the South Devon cliffs to reach Bantham Beach. I enjoyed sitting at one of the picnic benches sketching and people watching. Painting this during lockdown transported me back to that time and was a great way to escape.
£400
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Still Flowering : Constance and Winifred by Rosalind Robinson
Still Flowering : Constance and Winifred by Rosalind Robinson
260 / 527
By Rosalind Robinson
Diptych : oil on gesso panel
h: 23 w: 41 d: 1 (cms).
NOTE: These two portraits are framed as a diptych
In 2018, the centenary year of the Representation of the People Act, I began work on a small series of "Suffragette Heroine" paintings to commemorate the bravery of the women activists from all social backgrounds who suffered imprisonment and the brutal practice of force feeding to help win the "Votes for Women" campaign. The emblematic colours of the Womens Social and Political Union - green, purple and white - were used throughout the series of paintings.
The two women portrayed in this diptych are Lady Constance Bulwer-Lytton and Winifred Jones.
£1200
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Suffragette Heroine No.7 by Rosalind Robinson
Suffragette Heroine No.7 by Rosalind Robinson
261 / 527
By Rosalind Robinson
oil on wood
h: 32 w: 22 d: 1 (cms).
In 2018, the centenary year of the Representation of the People Act, I began a small series of paintings commemorating the bravery of the women activists from all social backgrounds who suffered imprisonment and the brutal practice of force feeding to help win the "Votes For Women" campaign. The emblematic colours of the Womens Social and Political Union - green, purple and white - were used throughout the series of paintings.
This painting, Suffragette Heroine No.7, portrays Millicent Fawcett.
Please note this painting is framed.
£1200
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Suffragette Heroine No.4 by Rosalind Robinson
Suffragette Heroine No.4 by Rosalind Robinson
262 / 527
By Rosalind Robinson
oil on gesso panel
h: 23 w: 23 d: 2 (cms).
In 2018, the centenary year of the Representation of the People Act, I began a small series of paintings commemorating the bravery of the women activists from all social backgrounds who suffered imprisonment and the brutal practice of force feeding to help win the "Votes For Women" campaign. The emblematic colours of the Womens Social and Political Union - green, purple and white - were used throughout the series of paintings.
This painting, Suffragette Heroine No.4, portrays Dame Ethel Smyth
£600
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Suffragette Heroine No.6 by Rosalind Robinson
Suffragette Heroine No.6 by Rosalind Robinson
263 / 527
By Rosalind Robinson
oil on gesso panel
h: 23 w: 23 d: 2 (cms).
In 2018, the centenary year of the Representation of the People Act, I began a small series of paintings commemorating the bravery of the women activists from all social backgrounds who suffered imprisonment and the brutal practice of force feeding to help win the "Votes For Women" campaign. The emblematic colours of the Womens Social and Political Union - green, purple and white - were used throughout the series of paintings.
This painting, Suffragette Heroine No.6, portrays Sylvia Pankhurst.
£500
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Red Black II by jess bugler
Red Black II by jess bugler
264 / 527
By jess bugler
linocut and laser woodcut
h: 76 w: 55 d: 1 (cms).
One of a series of four prints expanded from an original reduction linocut of a significant building seen through trees. They are laser woodcut prints and contain the surface pits of the original lino, printed in black and red, echoing Louise Bourgeois "The blind leading the blind". They try to convey the shock and panic of initial trauma in the mind.
£395
£345 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Red Black III by jess bugler
Red Black III by jess bugler
265 / 527
By jess bugler
linocut and laser woodcut
h: 76 w: 55 d: 1 (cms).
Red/Black III is one of a series of four pieces expanded from an original reduction linocut of a significant building seen through trees. They are laser wood cut prints and contain the surface pits of the original lino, printed in red and black, echoing Louise Bourgeois “The blind leading the blind”. They try to convey the shock and panic of initial trauma in the mind.
£395
£345 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below:
Three old mugs by Diana Boanas
Three old mugs by Diana Boanas
266 / 527
By Diana Boanas
Watercolour
h: 70 w: 53 d: 2 (cms).
Watercolour on paper. three ceramic mugs on a wooden draining board
£550
£500 (Unframed)
Voting is open until 23rd December 2020
Voting is open until 23rd December 2020
Please enter your details below: