Corona Jungle

By Philomena Davidson

Pen & Ink

h: 91 w: 83 (cms).

Corona Jungle utilises a love of palm trees to depict a mass concentration or jungle of minds. Confronting a disaster, the trees, all shapes and sizes, stand together.

£1500.00

£1500.00 (Unframed)

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Corona Wedding

By Philomena Davidson

Pen & Ink

h: 107 w: 77 (cms).

Corona Wedding shows a group image of palm trees at a wedding, posing for a photograph. All ages, shapes and sizes, they stand together, solemn and dignified. 

£1500.00

£1500.00 (Unframed)

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Third in Line

By Elizabeth Nast

Watercolour on Paper

h: 24 w: 32 (cms).

Three ladies getting their hair cut at Doncaster Market.

£695

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Woman's Best Friend

By Elizabeth Nast

Watercolour on Paper

h: 27 w: 35 (cms).

A view into a hair saloon in London, with the hairdressers dog standing guard. 

£690

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Julia at the Hare

By Elizabeth Nast

Watercolour on Paper

h: 29 w: 14 (cms).

Pub cat Julia, sitting outside The Hare pub in Hackney.

£495

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Maria's Market Cafe

By Elizabeth Nast

Watercolour on Paper

h: 28 w: 15 (cms).

View of a diner and the owner at Maria's Cafe in Borough Market.

£495

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Written by the river

By Alessandra Alexandroff

Etching (A/P)

h: 56 w: 48 d: 4 (cms).

Pieces of canvas, half destroyed from lying under stones in a river for months have been etched into metal, marking their journey of water and mud, wildlife and weather - a disintegration halted and captured into a still image of alchemy.

£390

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Hoola Hoopa

By Helen Sinclair

Bronze

h: 43 w: 28 d: 19 (cms).

£3500

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A Time and a Place (2)

By Helen Sinclair

Bronze

h: 76 w: 62 d: 14 (cms).

£3950

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Elle

By XingYun Chen

bronze

h: 180 w: 55 d: 50 (cms).

I like to stand in the sun to observe and create my sculptures, and express my feelings with delicate changes in light and shadow.  I usually invite some people to participate in my creation as models. Each of my sculpture figures is not imagined out of thin air, but a friend, family member or stranger around me.  I hope to use the technique of elephants to extract the feelings I want to express through mud, sunlight and models and let the bystanders feel a emotion.  My inspiration usually comes from these models themselves. I will extract and amplify their emotions at a certain moment, or the innate temperament through their feelings when they get along with them.

£30000

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Four Boys

By Helen Sinclair

stone-resin

h: 36 w: 17 d: 14 (cms).

£880

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Dos Fridas

By Cheryl Gould MRSS

Kiln fired Glass +polished acrylic

h: 20 w: 10 d: 4 (cms).

I have always been fascinated and inspired by Frida Kahlo and have made many pieces about her. This 3D sand cast glass piece represents Frida's double Persona ; two translucent masks cast side by side reflect whatever emotions you feel yourself when you look into them.

£400

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the fall of an angel

By XingYun Chen

Bronze

h: 40 w: 95 d: 110 (cms).

I spent 10 weeks sculpting the image of the model in 1:3/4. Finally, I added a pair of wings to my sculpture. I want to give the sculpture a lazy and comfortable temperament.  Expressing pleasure, stretching feelings, as if a woman is an angel falling into the mortal world

£30000

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Waiting

By Ali Lindley

watercolour

h: 42 w: 60 (cms).

'Waiting' typifies a foals ability to remain hidden from prey, silently lying low and patiently awaiting it's mothers return.  

£375

£375 (Unframed)

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Break free

By XingYun Chen

Bronze

h: 85 w: 45 d: 40 (cms).

I spent 10 weeks sculpting the image of the model in 1:1 scale. This is a sculpture of a female's torso, I want to show a woman's sense of freedom to break through the body.

£20000

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Looking for Light

By Helen Stone

Oil on Canvas

h: 41 w: 31 d: 4 (cms).

Like many during lockdown, it was the little everyday things that began to erode my sense of self. 

And like many artists, the pandemic hit hard with the loss of scheduled work, planned exhibitions and opportunities I'd spent months working towards. A more personal loss saw me home alone for the first weeks but I was grateful to have my art practice to sustain me.

Eventually I found a new rhythym, new routines and new ideas but I absolutely cursed the fact I coudn't get a hair cut. It sounds trivial. I'm not one to subscribe to 'bad hair days' – short hair is generally a tame beast! But, with the loss of so many things I saw as core to my identity, I didn't want to see that reflected in the neglected spectre staring back from the mirror.

This self-portrait shows my usually smart short locks pinned up with laundry pegs in protest against the heatwave. It was a bit of fun at the time but there is also sadness, a longing to return to 'normal' times when hope and order might be restored.

£700

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Moorland Movement

By Louise Bougourd

Watercolour

h: 40 w: 55 (cms).

Collage helped me to achieve the wonderful sense of movement as I made many sketches on Dartmoor; the sketches were then used to create this piece, which I love, it represents exactly the billowy sky, the movement, the beauty and drama that is Dartmoor.

£300

£300 (Unframed)

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Touched: Snip Snap

By Helen Stone

Oil on Canvas

h: 30 w: 25 d: 2 (cms).

My series, Touched, focuses on broken objects, their relationship to their owners and how we might respond as viewers. Is there an urge to touch, a need to fix or an empathetic desire to console – and, if so, what does that tell us about our own interactions with the inanimate world and our own experiences of loss? 

Our ability to use tools aided our rise, while artefacts left behind inform us of who we have been. Objects can be our talismans, our armory, our friends and we may mourn them when they are gone. 

How will this play out in the future as our world becomes increasingly virtual, leaving the material behind? With the rise of AI, is it possible that we may be among the last to forge invested relationships with objects at all?

This painting is of the trusty scissors of textile designer Eleanor Pritchard, lost in the line of duty.

£500

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Portrait of Rich

By Brook Hobbins

Bronze

h: 45 w: 20 d: 25 (cms).

Rich is a professional artist’s model who sat for me in August 2019.  His engaging company provided the perfect blend of lively conversation and companionable silence for me to catch his likeness in clay during the two short days available.

£2350

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Reflections 1

By Claire Hankey

Watercolour

h: 18 w: 12 d: 1 (cms).

This painting was completed after a visit to Two Tree Island, a local nature reserve on the Thames Estuary in Leigh on Sea. I have tried to capture the reflections, muddy greens and atmosphere of the marshes at the reserve. On location, I completed some sketches which I worked from later on the day in my studio.
 

£80

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Entwinement

By Clare Boyce

Pen and ink

h: 27 w: 37 (cms).

As a continuation of a theme- I seek to demonstrate, using stylistic devices  through composition and dramatic line,  the interfacing between a couple .The floral passages suggest bonding but the  female is engaged -male perhaps not.This ambiguity suggests disunity within an apparent bond.

£250

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Sisters

By Clare Boyce

Pen and ink

h: 27 w: 37 (cms).

This 'conversation' between sisters is presented by intensity of line and composition.The motif of floral entanglement continues .The positioning of faces represents  unity and yet individuality.The blood link is alive and visceral.

£250

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Aftermath

By Clare Boyce

Pen and ink

h: 27 w: 37 (cms).

I wish to present a moment in time -the aftermath of a mysterious perhaps violent event.The interior is partly hidden by the curtain (a potential stage set).One woman observes- the other brandishes a knife.Is she a kitchen maid or an assassin?

£250

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Ribbon Dancer

By kathy prest

Bronze Resin

h: 50 w: 30 d: 18 (cms).

Ribbon dancer is waiting for the moment to express her freedom and dance letting her soul shine through.  She is captured in that fleeting moment of calm with the light reflecting from the stainless steel ribbon around her.

£2100

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Amy

By kathy prest

Bronze resin

h: 95 w: 40 d: 30 (cms).

The feeling of waking up to a brand new day, everything is looking good and falling into place, that before the first cup of coffee moment when you don't even think of what may happen your just enjoy the first blissful moment with a grateful heart.

£4000

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EBB AND FLOW 2

By andie clay

Mixed Media

h: 83 w: 61 (cms).

£975

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EBB AND FLOW 3

By andie clay

Mixed Media

h: 83 w: 61 (cms).

£975

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EBB AND FLOW 4

By andie clay

Mixed Media

h: 83 w: 61 (cms).

£975

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Edge of Beauty

By kathy prest

Aluminium resin & stainless steel

h: 64 w: 69 d: 22 (cms).

Inspired by Art Deco Edge of Beauty is contemplating all the good moments in life.  Laying on stainless steel creates movement as it is not static.

£3900

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VERTIGO SURF 2

By andie clay

Mixed Media

h: 66 w: 45 (cms).

£725

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Untitled (Glass Shadows)

By Janine Hall

Pencil on paper

h: 35 w: 70 (cms).

Long cast shadows from a Victorian Champagne and water glass. A study in drawing a shadow that slowly moves from a sharp image and dissolves to a soft image

Currently unframed.

£1700.00

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Mona Discovered

By Vikky Furse

Acrylic on handmade paper

h: 48 w: 26 (cms).

 This painting was the first in a series inspired by this rough, and chunky handmade paper. it brought to mind Roman frescos, and  paintings that would never be fully revealed. 

£850

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Untitled (Window shadow)

By Janine Hall

XL Graphite stick on paper

h: 70 w: 100 (cms).

Light and shade from a steel window cast across a stool and concrete floor in an old pencil factory in Portugal.  Each layer of pencil is polished to produce a deep, dark effect that has a velvety feeling and an overall soft shine depending on how the light falls across the work.

The work is currently unframed

£2200.00

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I Walked A Mile

By Carol Dewart PAI RSW

Oil

h: 92 w: 122 (cms).

Oil painting on board tracing my daily route across the local countryside taken during Lockdown.

£4500

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The Long Acre

By Carol Dewart PAI RSW

Oil

h: 76 w: 76 (cms).

A favourite area of farmland which sits just behind my home.

£3200

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A Thirst for Life

By Tamsin Dearing

Pencil

h: 38 w: 31 d: 2 (cms).

The simpicity of everyday actions can remind us of our shared humanity. A lifetime of experiences we can only imagine are recorded in the skin of this Vietnamese woman, and here this fascinating complexity is complimented by a most fundamental act frozen in time.

£1800

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Posy 7

By karen stamper

Paper collage, acrylic

h: 61 w: 46 d: 3 (cms).

Lockdown 2020, we were all restricted to our gardens. I am very lucky, my studio is in my garden, flowers became my subject as they burst into joyful life from lockdown.

Glazed, float mounted and framed in a light whitewashed frame.

£690

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Posy 9

By karen stamper

Paper collage, acrylic

h: 61 w: 46 d: 3 (cms).

Lockdown 2020, we were all restricted to our gardens. I am very lucky, my studio is in my garden, flowers became my subject as they burst into joyful life from lockdown.

Glazed, float mounted and framed in a light whitewashed frame.

£690

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Darling, leave a light on for me

By Deborah Wickham

Acrylic on canvas

h: 60 w: 50 d: 3 (cms).

My current practice examines themes of loss, rebirth and the reverence of nature. The escape from the prosaic into the transcendent through the metamorphosis of self, and the tension between the mundanity of the domestic and the atavistic call of the wild.

Working form the perspective of a woman going through the changes commensurate with my years, I am drawn to the words of Charlotte Perkins Gilman in 'The Yellow Wallpaper' and Barbara Newhall Follett in 'The House Without Windows': the yearning for an escape from the tacitly agreed upon comfort we call a house, and 'normal' life.

By employing the symbols of femininity and domesticity juxtaposed with the natural world, it is my intent to create a narrative that expresses the desire for a simpler way to realise our potential for nurturing and healing.

This series of self-portraits examines these themes and my connections with the habitat I have claimed as my own.

£1850

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Ben and Nick in conversation

By catharine gibbens

Oil on canvas

h: 50 w: 76 d: 4 (cms).

£950

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Kathmandu Katchup

By Rebecca Ratnasamy

Pastel

h: 50 w: 40 (cms).

£600.00

£550.00 (Unframed)

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An Ordinary Day I

By Anna Macdonald

Acrylic, collage and graphite.

h: 32 w: 32 d: 3 (cms).

Mixed media painting on board.

Colours and forms observed on an ordinary day. Distilled down to unobtrusive beauty.  The white void adding a sculptural quality which invites a space to pause and reflect. 

£350

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Tulipa Estella Rijnweld

By Nicola Currie

Oil painting on cradled gessoboard

h: 40 w: 40 d: 3 (cms).

Tulipa Estella Rijnweld was inspired by the painters of the Dutch Golden Age and their fascination with tulips. Confined to the house and garden during lockdown I was grateful to have planted these bulbs the previous autumn as the flowers provided weeks of inspiration. 

The work is unframed but the cradled board can be hung directly on a wall.

£800

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An Ordinary Day II

By Anna Macdonald

Acrylic, collage and graphite.

h: 32 w: 32 d: 3 (cms).

Mixed media painting on board.

Colours and forms observed on an ordinary day. Distilled down to unobtrusive beauty.  The white void adding a sculptural quality which invites a space to pause and reflect. 

£350

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Self portrait

By Joanne Makin

oil on canvas

h: 52 w: 42 d: 6 (cms).

A recent study, painted earlier this year, coming to terms with middle age, major surgery and a new start.

£1500

£1450 (Unframed)

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Stillness

By Deborah Kreczmer

Acrylic

h: 40 w: 40 d: 3 (cms).

This painting is professionally framed with glass, in a white wood grain frame.  Born out of my sketch from a trip to Cornwall, though I prefer the viewer to make up one's mind on the location.  I used a limited pallet of three colours on heavy watercolour paper to depict this landscape, evoking both a sense of joy and calmness.

Post and packaging included for UK

Additional cost Plus post & packaging Overseas

£285

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Artisan Hands No. 2

By JACKIE JAMIESON

Acrylic on canvas

h: 120 w: 100 d: 5 (cms).

Painted to celebrate the anonymous artisans in their creation of Chester Cathedral.

£850

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Altered State

By Helen Merrigan Colfer

bronze, enamel

h: 48 w: 45 d: 18 (cms).

This triptych comprising of three bronze pieces: Minnie-Mized, Deleted Rewritten, Morph relates to our most formative stage of development, childhood. It points to the fragility of identity within childhood when our experiences have maximum affect upon who we become as an adult. 

Sometimes exteriors do not reflect accurately the truth of their interiors.

It alludes to a life spent balancing on a knives edge, uncertainty being a constant.

Structures & motifs are incorporated that interact to form narratives which develop as the spectator interacts with the work.         

They share the same space so they can interact by creating a dialogue between them & the spectator as individual narratives add & subtract from each other.

£13150

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London Lockdown, The National Gallery

By Dr Linda Smith

Silverpoint on Arches paper with egg tempera and 23.5 ct. gold leaf

h: 26 w: 26 (cms).

One of a series of four drawings created during lockdown, which was put into place in the UK to limit the spread of the Covid-19 virus, during the worldwide pandemic. The subjects were chosen to pay tribute to the NHS, also to highlight the evoked nostalgia and emotional impact of closing top cultural venues and restricted travel into London itself.        

£725

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April, 2020

By Cristina Celestini

coloured pencils on paper

h: 55 w: 75 (cms).

This drawing is a  attempt to depict our new and strange times as my daugther sits waiting  for what life has in store in our new normal. The Lockdown has helped me to re-evaluate the importance of the people I love and during this time I have been remembering, recording and celebrating the small and seemingly insignificant actions we perform everyday, like sitting on the sofa and waiting for something to happen. These months I have been thinking  about my artistic practice and my motivations to create art and this has confirmed my intent to represent women  in their moments of strength as well as of weakness and doubt. The use of coloured pencils is a deliberate act to use this domestic medium to reflect the domesticity of the setting and also to indulge in the brilliancy of the dry pigments.

£800

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Self portrait with glasses

By Estelle Day

Oil on linen board (unframed)

h: 20 w: 20 d: 1 (cms).

I painted this portrait after getting new glasses, my first ever pair. It felt so strange wearing them but they made such a dramatic difference when I was painting that I felt like celebrating them with a self portrait! 

£850

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Contemplation I

By Alison Henry

Bronze

h: 25 w: 20 d: 15 (cms).

Contemplation I is the first in a series of three organic bronze works based on fragments of dried seed pod. The series relates to my current practice inspired by the beauty to be found in small, almost unperceived elements and structures of everyday objects and creatures in the natural world.

£1700

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Shelter

By Estelle Day

Oil on linen board (unframed)

h: 20 w: 20 d: 1 (cms).

Whilst painting 'Shelter', I was reflecting on how we instinctively seek sanctuary with those we love during moments of sadness and loss - the broken egg shell, representing our fragility, is in contrast to the one sitting intact and protected within the dish.

£375

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Summer In The City

By Elizabeth MCCRIMMON

Watercolour, fineliner and white gel pen

h: 44 w: 44 d: 3 (cms).

I love the street art that adorns the walls of places like Shoreditch in London. I know it's not to everyone's liking but I find a lot of it is quite beautiful. I visited a gallery in the area some years ago and found the work somewhat bland. The blandness was emphasised all the more when I entered the street and was confronted by an explosion of colour and vivid images all around. This was my first real introduction to street art. In some places, such as Dalston in Hackney, there are gallery owned walls where grafitti artists can legally show their work. It was during a trip to Brick Lane, specifically to see the street art, that I captured this image of a like minded individual enjoying the work as he passed by. I knew immediately that it was an image I would like to recreate but in my own way. I have ramped up the colours in my painting to emphasise the heat of the day and to enhance the overall image. I particularly enjoyed the combination of the terracota colour bricks and the vibrant pink of the written grafitti and I think they work well together. By using a combination of watercolour and pens I've tried to convey the beauty of the inner city.

£420

£350 (Unframed)

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London Lockdown, St. Pauls Cathedral

By Dr Linda Smith

Silverpoint on Arches paper with egg tempera and 23.5 ct. gold leaf

h: 26 w: 26 (cms).

One of a series of four drawings created during lockdown, which was put into place in the UK to limit the spread of the Covid-19 virus, during the worldwide pandemic. The subjects were chosen to pay tribute to the NHS, also to highlight the evoked nostalgia and emotional impact of closing top cultural venues and restricted travel into London itself.        

£725

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London Lockdown, The Royal Albert Hall

By Dr Linda Smith

Silverpoint on Arches paper with egg tempera and 23.5 ct. gold leaf

h: 26 w: 26 (cms).

One of a series of four drawings created during lockdown, which was put into place in the UK to limit the spread of the Covid-19 virus, during the worldwide pandemic. The subjects were chosen to pay tribute to the NHS, also to highlight the evoked nostalgia and emotional impact of closing top cultural venues and restricted travel into London itself.        

£725

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Little green pear with star Anise

By Estelle Day

Oil on linen board (framed)

h: 10 w: 10 d: 1 (cms).

A miniature study of a green pear with star Anise 

£215

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London lockdown, The Royal Academy

By Dr Linda Smith

Silverpoint on Arches paper with egg tempera and 23.5 ct. gold leaf

h: 26 w: 26 (cms).

One of a series of four drawings created during lockdown, which was put into place in the UK to limit the spread of the Covid-19 virus, during the worldwide pandemic. The subjects were chosen to pay tribute to the NHS, also to highlight the evoked nostalgia and emotional impact of closing top cultural venues and restricted travel into London itself.        

£725

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French Fancy

By Becki Flack

oil on canvas

h: 51 w: 41 d: 4 (cms).

The Protagonist of all Becki's oil paintings is Tita Petita Chihuahua. Tita becomes characters in an entire Other Surreal World, that she has created for her. She often portrays or pays tribute to Famous Women, and in this piece is Marie Antoinette. The World of Tita is so complete, that Becki made her dress and wig for her to wear. This is part of her creative process. Then she photographed her and painted from several of the photos. Tita doesn't mind wearing the clothes and offers the left paw first to go in the clothes, and then the right. Becki created the background by sourcing the props as if for a play or film, to give as much authencity as possible. This is the way she generally works now for her paintings.

Marie Antoinette never said, "Let them eat cake!" which is a phrase associated with her and Becki was under the misapprehension that she did. She was also under the impression that French Fancy cakes were from France,. They were infact created in the UK in the1960s by Rank Hovis McDougall, and then marketed in 1967 as Mr Kipling's (a ficticious character) exceedingly good cakes! Becki ate them as a child growing up in the 70's & 80's. They featured in the photos and then the painting, as they were small Tita sized cakes. The Title 'French Fancy' refes to the cake as well as the fantasy of Tita being Marie Antoinette.

£500

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In times of uncertainty

By Rosemary Miller

Mixed media

h: 45 w: 37 (cms).

£950

£750 (Unframed)

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Don't Look Back

By Rosemary Miller

Mixed media

h: 40 w: 34 (cms).

£950

£750 (Unframed)

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Comfort

By Rosemary Miller

Mixed media

h: 45 w: 37 (cms).

£950

£750 (Unframed)

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After the Rain

By Margaret Eggleton

Pencil and Watercolour

h: 36 w: 36 d: 4 (cms).

As I walked through Trafalgar Square early one morning, I notived the subdued colours and reflections of this well known scene. Thre were very few people about and I took several photographs.  in my studio I drew the image in pencil first then painted the watercolour.

£550

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National Gallery

By Margaret Eggleton

Pencil and Watercolour

h: 36 w: 36 d: 4 (cms).

I walked through Trafalgar Square early one morning on my way to The Mall Galleries. It had just stopped raining and the colours and reflections in the pavement were subtle and harmonious. I took several photographs. 

I drew the outline in pencil, then the details, also in pencil and finally added the watercolour washes. 

£550

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Parting

By Ayna Paisley

Acrylics, Paper Collage

h: 70 w: 150 d: 4 (cms).

'Parting' is the biggest mixed media piece in the ongoing series 'Hiraeth' in which the artist strives to process the feeling of nostalgia. Hiraeth – a word that at once signifies homesickness, nostalgia, and a grief caused by the yearning for a place you can no longer return to has become the spirit of a world forever changed. Due to recent events our past lives have become a place to which we can never return; a place whose beauty only lives in our memory.

The painting creates a dialogue with the viewer. The attention of the characters is clearly focused on the specatator, giving us the impression that the one looking at the paiting is the one that's 'parting', leaving dear friends and peaceful lands once called home behind.

The artist has chosen to incorporate elements of paper collage intertwined with traditional painting. The faces of the characters are sourced from portraits by Italian Mannerist painter Agnolo Bronzino supplemented with elements from other historic works. By cooperating with painters through time the artist is searching answers to questions - are memories best left untouched, a perfect record of the past? Or are they something to be part of our present?

£5000

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Just us

By Michele Greene

Bronze resin and Slate

h: 65 w: 25 d: 15 (cms).

The lockdown was a difficult period for everybody. My husband and I saw very few people at the time and ventured out little. We missed seeing our grown up children and our grandchildren very much. We were aware of a sense of isolation during this time but also a new appreciation of our relationship to each other.

£895

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