Blue Corset

By Miranda Fontaine

Colograph on Chine Cole

h: 38 w: 28 d: 1 (cms).

This is an intaglio print in blue on a pearly grey Chine Cole

£160

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Evening Ride

By Sandie M Henderson

Wire

h: 54 w: 52 d: 14 (cms).

A chicken wire sculpture with copper wire additions. Constructed on a mild steel armature and mounted on a mixed media modelled base. The work is inspired by the well known "Morning Ride" painting by Sir Alfred Munnings.

£2250

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Untitled

By Deborah Batt

Acrylic & pen on canvas

h: 42 w: 32 d: 5 (cms).

Flytipped sofa outside a derelict house

£1800

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Passage of time 1

By Joanne Last

Mixed media on board

h: 41 w: 41 d: 3 (cms).

An abstract work built up in many layers with a richly textured surface, conveying the sense of time passing and how things weather and change - and yet become more interesting and beautiful as past events are subtly revealed. This piece is on a 30 x 30cm board and is float framed in a natural wood frame.

£650

£550 (Unframed)

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Young Woman

By Catherine Bloomfield

Paper ,card , ink and tile adhesive

h: 70 w: 36 (cms).

Created as part of a larger project, initially used as a collagraph printing plate

£700

£700 (Unframed)

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Passage of time 2

By Joanne Last

Mixed media on board

h: 41 w: 41 d: 3 (cms).

An abstract work built up in many layers with a richly textured surface, conveying the sense of time passing and how things weather and change - and yet become more interesting and beautiful as past events are subtly revealed. This piece is on a 30 x 30cm board and is float framed in a natural wood frame.

£650

£550 (Unframed)

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Peach with strawberries

By Janette Summerfield

Pastel

h: 37 w: 43 d: 2 (cms).

Again, this work is based around reflections, from the the distorted images seen in the stainless steel jug to the 'strawberry colour' on the knife. The knife 'cuts' a dramatic diagonal across the drawing, which is echoed in the diagonal created by the change of background colour. Colour and composition are heightened by the cropping the image, rather like a photograph or graphic. Lockdown was the catalyst for experimenting.

£450

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Discovery 2

By Vikky Furse

Acrylic on handmade paper

h: 32 w: 27 (cms).

This rough and chunky, handmade paper inspired in me the idea of ancient Roman frescos only partially revealed.

£850

£850 (Unframed)

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And Then It was Done

By ann Chester King

Oil on Canvas

h: 63 w: 93 d: 5 (cms).

An expressive oil painting on canvas, with use of strong strokes of thick paint combined with areas of almost fluid like paint .

£650.00

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Black Keyhole Pot with Orange Fighting Fish

By Jane Bridger

Stoneware Ceramic

h: 23 w: 21 d: 21 (cms).

A matt black vessel with sgrafitto design of a fighting fish. The interior is glazed orange and the fish and flowers are also glazed. Inspired by Japanese ceramics.

£450

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Discovery 3

By Vikky Furse

acrylic

h: 43 w: 30 (cms).

On this  heavy handmade rag paper, I was looking to reveal a transient fresco of a depating nymph.

£850

£850 (Unframed)

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Still

By Ali Mulroy

Oil on canvas

h: 40 w: 30 d: 2 (cms).

£3200

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Emily

By Ali Mulroy

Oil on canvas

h: 40 w: 30 d: 2 (cms).

£3200

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Pair of Turquoise Vases with Fish and Dragonflies

By Jane Bridger

Stoneware Ceramic

h: 40 w: 16 d: 16 (cms).

A pair of matt turquoise vases with sgrafitto design of fighting fish and dragonflies. The interiors are glazed yellow and the fish and flowers are also glazed. Inspired by Japanese ceramics.

£950

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The wait

By Ali Mulroy

Oil on board

h: 40 w: 40 d: 1 (cms).

£3200

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Depth

By Lindsey Lavender

acrylic on paper

h: 50 w: 40 d: 2 (cms).

I am interested in the way in which light interacts with the mundane; the transformative effect of sunlight and shade on something very ordinary; essential elements upon which we tend not to focus. Colour and perspective are important features of the work but the key focus is always the light.

£750

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Tall Black Vase with Orange Fighting Fish

By Jane Bridger

Stoneware Ceramic

h: 41 w: 15 d: 15 (cms).

A tall, matt black vase with sgrafitto design of a fighting fish. The interior is glazed orange and the fish and flowers are also glazed. Inspried by Japanese ceramics.

£450

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An Ordinary Day

By Liu Liu

pastel

h: 85 w: 70 (cms).

£2500

£2200 (Unframed)

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Moon Jar with Turquoise Fish and Dragonflies

By Jane Bridger

Stoneware Ceramic

h: 27 w: 20 d: 20 (cms).

A matt turquoise Korean style Moon Jar with sgrafitto design of a fighting fish. The interior is glazed yellow and the fish and flowers are also glazed. Motif inspired by Japanese ceramics.

£450

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Socks

By Hero Johnson

Oil on Canvas

h: 30 w: 24 (cms).

A painting looking down at my feet in mistached rainbow pride socks under electric light. 

£1000

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Found Form with Feet

By Vikky Furse

Acrylic on handmade paper

h: 43 w: 30 (cms).

This curled and sleeping figure seemed to lie well in this heavy handmade rag paper

£850

£850 (Unframed)

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'At the Waterhole'

By Arabella Nock

Foundry Bronze on Granite Base

h: 12 w: 20 d: 17 (cms).

Sculpted from images and memories of a trip to South Africa, At the Waterhole shows a softer side to the oft depicted Lion. Placed in a fragment of a natural setting, the Lioness bends to lap at the water's edge, ears and eyes constantly alert to potential dangers.

£525

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With thee did disappear

By Tessa Jane

Mixed media

h: 18 w: 15 d: 15 (cms).

An assemblage dedicated to the protection of the environment. Natural forms juxtaposed with man made unsustainable materials.

£495.00

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The World Changed Whilst I Was Sleeping

By Cherylene Dyer

oil on Canvas

h: 106 w: 76 d: 6 (cms).

This painting is my attempt to process the enormity the past six months.  Being confined to the house with life on hold, listening daily to the rising death counts and the suffering of many was awful. I wanted to capture the heaviness of this time, and yet the relative normalness of it all.  We still slept, ate, watched Netflix and cared for our children, seemingly while the whole world burned. The space above the painting weighs down on the figure while her newspaper hat symbolises the daily grief we faced as the news flooded in.

£4100

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Debbie

By Sarah Hope

oils

h: 40 w: 30 d: 2 (cms).

This portrait was part of the portraits for NHS heroes scheme initiated by Tom Croft.  It is a painting of NHS worker Debbie Howlett and was gifted to her by the artist.  It is not for sale.  I did try to seek permission to enter a painting that was not for sale, but unfortunately I left it until the last minute and was unable to contact anyone.  I decided to enter it anyway in the hope that it would be OK.

£0

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Broken Tusk

By Wendy Hunt

Bronze

h: 19 w: 32 d: 18 (cms).

Broken Tusk has a traditional patina with a mottled green base.  Although Broken Tusk is an African elephant the idea came from seeing wild Asian elephants on safari in Sri Lanka, I wanted to create a piece that showed the power of the animal.

£3600

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Reed Reflections

By Liezel Schultz

Watercolour

h: 34 w: 24 (cms).

Watercolour painting of thick reeds with their reflection in water.

£550

£450 (Unframed)

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Crossing Paths

By Liezel Schultz

Watercolour

h: 40 w: 34 (cms).

Late afternoon, aerial view watercolour painting of a busy street scene with people crossing a road intersection.

£600

£500 (Unframed)

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#MeToo

By Stephie Butler

Watercolour

h: 30 w: 40 (cms).

£595.00

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You say tomato

By Liezel Schultz

Watercolour

h: 27 w: 21 (cms).

Watercolour painting of a ripped open packet of tomatoes, capturing the sheen and different textures in the packaging.

£550

£450 (Unframed)

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The beckoning

By Stephie Butler

Watercolour

h: 42 w: 32 (cms).

£550.00

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Japanese Anenomes

By Katherine Jackson

Oil on paper

h: 25 w: 25 d: 1 (cms).

Observational still life painting on paper. 

£200

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“Support “

By Naila Hazell

Oil on linen.

h: 70 w: 100 d: 2 (cms).

The oil painting called "Support " which came from Shepherds bush market, was one of those moments which made me feel the connection between me and view. I felt there's is a lot of stories behind this scene. 

£3000

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In control

By Stephie Butler

Charcoal

h: 32 w: 32 (cms).

£450.00

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Converge

By Justine Lois Thorpe

Oil on Board

h: 81 w: 81 d: 4 (cms).

Abstraction Painting inspired by the energy and interaction of coastal elements at play.

£1750

£1750 (Unframed)

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Contemplation

By Loraine Monk

Dry Point etching

h: 35 w: 27 (cms).

Unable since the Covid crisis to use relief print presses, Loraine Monk began to experiment with dry point etching. She made a series of images exploring the feelings of enclosure that lockdown created.

£180

£150 (Unframed)

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Victoria

By Caroline Wong

oil on canvas (unframed)

h: 182 w: 150 d: 4 (cms).

£14000

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Cherry Blossom

By Sandra Summers

Watercolour

h: 50 w: 66 d: 3 (cms).

£525

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KITE GIRL

By Sandra Summers

Watercolour

h: 77 w: 62 d: 3 (cms).

£650

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Fatemeh

By Zahra Akbari Baseri

Mechanical pencil

h: 20 w: 20 (cms).

my sister lost in her thoughts while waiting for a cab.

£400

£350 (Unframed)

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Iridescent Corset

By Miranda Fontaine

Colograph on Chine Cole

h: 38 w: 28 d: 1 (cms).

This Colograph is relief printed in blue on a Chine Cole of iridescent paper

£160

£ (Unframed)

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FlightPath lix

By Louisa Crispin

Graphite

h: 27 w: 27 d: 2 (cms).

An ongoing exploration of graphite medium whilst still representing my interest in the intricacy of flora and fauna

A google search for "wasp nest" brings up endless offers of extermination, yet these creatures are an important part of our eco system: eating greenfly larva and dead insects, they are also great pollinators

£450

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FlightPath lv

By Louisa Crispin

Graphite

h: 27 w: 27 d: 2 (cms).

An ongoing exploration of graphite medium whilst still representing my interest in the intricacy of flora and fauna

This piece explores the need for wildlife corridors and the structure of wasps: the way they fall and capture the light

£450

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FlightPath lvii

By Louisa Crispin

Graphite

h: 27 w: 27 d: 2 (cms).

An ongoing exploration of graphite medium whilst still representing my interest in the intricacy of flora and fauna

A contrast between the soft tactile smooth graphite and the spiky stingy edgy insect

£450

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FlightPath viii

By Louisa Crispin

Graphite

h: 27 w: 27 d: 2 (cms).

An ongoing exploration of graphite medium whilst still representing my interest in the intricacy of flora and fauna

This reflects on the continuing circle of life and death, dark and light and the random marks left by our existence.

£450

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Chapters

By Faye Bridgwater

Fabriano Paper, Pencil, Watercolour, Carbon Paper

h: 87 w: 68 d: 3 (cms).

Watercolour on Fabriano Paper, float mounted in a box frame.

A 140 miniature, watercolour studies with expressive mark-making through carbon paper. This work takes you on a journey with your eye darting from chapter to chapter. The simple line giving the viewer just a hint of the journey. 

I was going to tell you where my journey is but actually I think it’s more interesting for you to work it out…. I’m dyslexic so hate writing descriptions about my work. Here's a quote that was said about this painting and sums up what i'm trying to say perfectly  -  “Beautiful. I love the economic use of line and colour to say so much. It is beautifully calm and unfussy” - Steve Geliot

£750

£600 (Unframed)

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Blue Scarves

By Liz Watts

Porcelain, unglazed, with gold lustre, wooden rack

h: 45 w: 92 d: 11 (cms).

Scarves may be hung in different places on the rack, or on different hooks altogether.

£1320

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Multi-coloured Scarves

By Liz Watts

Porcelain, unglazed, with gold lustre, wooden rack

h: 44 w: 90 d: 12 (cms).

Scarves may be hung in different places on the rack, or on different hooks altogether.

£1475

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Uprooted

By Ruth Wallace

Pencil on paper

h: 39 w: 43 (cms).

Recent years have seen ever-increasing numbers of people forced to leave their homelands, whether through war or famine, hardship or persecution; their images flicker across our television screens and populate our newspapers and social media. The numbers of people who have been displaced is overwhelming and difficult to comprehend. This piece is part of a series of drawings on the theme of refugees, those people who have been uprooted from all they know and hold dear.

£790

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"Head" Bowl #42

By Barbara Gittings

Porcelain Ceramic

h: 14 w: 12 d: 14 (cms).

Nerikomi Porcelain Bowl, low-fired to 1046C, then smoke-fired and waxed

£200

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Trancendance

By Catherine Hamilton

Charcoal, white pastel

h: 105 w: 80 d: 2 (cms).

 The study has been taken from the inside of the Man Mo Taoist temple in Hong Kong. I wanted to capture the smoky atmosphere of the incense, spiralling smoke and almost smelling the perfume of the incense itself. The interior was fairly dim except for a small amount of natural light from above. I have used some of the ash from the incense sticks I purchased at the temple to create some of the drawing to bring that sense of connection and place. 

£995

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Reflection

By Jean Ross

Acrylic Inks

h: 41 w: 30 d: 1 (cms).

I painted this image as part of the PortraitsforNHSHeroes project which was launched during lockdown as a means for artists to say thank you to NHS workers. The portrait is of Adam Jenkins, who works with paramedics in Penzance for the South West Ambulance Service.  I loved the reflection in the face shield and the fact that you could only see one eye.  There was such an intense look in the eye which showed the strain of working long hours in the fight against Covid 19.   The light behind his heads represents a glimmer of hope for the future of the pandemic.

£495

£450 (Unframed)

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Six bathers

By Anna Pinkster

oil on canvas

h: 102 w: 74 d: 3 (cms).

My work reflects my obsession with drawing and painting the human figure and my fascination with observing and describing people in their natural environment. It was the greatest joy to finally return to the beach as lockdown began to ease... there is no greater playground for life drawing; figures of all shapes and size, families and friendship groups in joyful and uninhibited play, and whilst I draw and paint individuals, the compositional arrangement forms a pattern, narratives emerge and the individuals form a whole.

£1200

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Flight Of The Ghost

By Wendy Hunt

Bronze

h: 60 w: 56 d: 23 (cms).

Flight of the Ghost was inspired by a Barn Owl I saw drifting through the fields near a studio where I used to sculpt.  It has a mottled patina reflecting the colours of the bird and is supported by fence post that had become worn with the age and discoloured.

£5500

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Lie at anchor

By Yuxin Cui

watercolour on paper

h: 26 w: 38 d: 3 (cms).

When I was sketching at Yandunjiao, I saw many fishing boats moored on the shore during the fishing moratorium. This one was particularly vicissitudes of life, which deeply moved me.

£2200

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Field of Dreams

By Teresa Chlapowski

Sand cast glass with copper on slate

h: 18 w: 23 d: 6 (cms).

This piece endeavours to show our connections with the earth but also with the sky and the heavens: Our faces turn upwards away from the war torn fields, as we still long for hope and that all will be well.

I often use the sand cast technique as it's not so precise and it's a partnership with the glass, creating amazing alchemic surprises.  The glass is poured at @ 1100 degrees C, like liquid honey, into a crude sand mould, with copper wire and nails placed in between the layers.  This in itself creates a rawness about the piece, as though it has lain in the earth, undiscovered, for centuries.

£495.00

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A.R.D. day at the R.A.

By Judith Barton

Oil on Panel

h: 122 w: 181 d: 10 (cms).

£2000

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Amy

By Judith Barton

Oil on Panel with gold leaf.

h: 180 w: 140 d: 10 (cms).

High Quality Prints on Canvas also available. 120cm X 80cm £295.

£5500

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Returning Home

By Judith Barton

Oil on Panel

h: 122 w: 122 (cms).

£3500

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Scape 6

By Emma Fitzpatrick

Monotype

h: 33 w: 38 d: 2 (cms).

Monotype created using inks, different mark making tools onto an aluminium plate. Work was produced and in response to the Covid 19 lockdown. It reflects on the feeling of change and future uncertainty.

£230

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Scape 9

By Emma Fitzpatrick

Monotype

h: 33 w: 38 d: 2 (cms).

Monotype created using inks, different mark making tools onto an aluminium plate. Work was produced and in response to the Covid 19 lockdown. It reflects on the feeling of change and future uncertainty.

£230

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Storm at Bolus Head # I

By BINA SHAH

Tempera, glair, natural earth pigments, mixed media

Part of a series of contemporary, abstract, landscape paintings created during a winter residency in Ireland. I was inspired by the fierce and wild Atlantic storms, the rugged, barren coastal landscape, and the ever changing magical silver light of the Iveragh Peninsual. Using indigenous natural materials where possible e.g gathering peat ash from the stove, slate dust from a local quarry, ground earth pigments from the rocks etc., mixed with tempera, glair and mixed media, in order to capture the natural colours of the dramatic, winter, coastal landscape in my paintings. 

£975

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Asterion

By Jill Desborough

Mixed media and steel

A depiction of the Minotaur, part of a series emphasising the loneliness and pathos of his existence.

£1080

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My boy

By Madeline Downham

oil, copper and silver leaf on board

h: 19 w: 19 d: 1 (cms).

This is a small square painting of a young woman and a ginger cat. The cat is seen from behind, laying and looking into the womans face. She is leaning towards him and confiding something, his whiskers are reaching forwards showing an alert interest.

£500

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Plaster & Wire Figure

By Rachel Ducker

Plaster & steel wire

h: 48 w: 35 d: 15 (cms).

Plaster figure with ink drawing.

£770

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The Wash

By Katharine Le Hardy

Oil on canvas

h: 170 w: 130 d: 4 (cms).

This is a large painting worked up from a series of smaller pieces on panel and paper. It's based on a series of work looking at forgotten places. I have been accessing buildings which are lying empty waiting for demolition and ultimately redevelopment. I find these moments of quiet very moving. 

£6200

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THE THREE TREASURES

By Jane Morgan

Bronze, 9ct Gold, Sterling silver, oil paint, Cotton, wood and organic elements.

h: 14 w: 26 d: 23 (cms).

The Three Treasures or Three Jewels are basic virtues in Taoism and Chinese Buddhism.

The artist has recreated The Three Treasures in the form of jewel-like eggs. The work, constructed in bronze and precious metals, is hand painted and finished as a naturalistic representation in acrylic oil, with interwoven cotton, and natural elements. 

The work examines human perception, belief and expectation.

Eggs recreated from the genus of the distinctive, Song Thrush. (Turdus philomelos)